Tag Archives: William Gibson

Steampunk gas mask

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Leathergasmask

Three reasons why I don’t own this steampunk gas mask: a) I can’t imagine where I’d wear it, b) It’s probably hot as hell, c) and damned expensive. But I’d be set for all Halloweens to come.

Like many others, I developed an appreciation for steampunk from the novels of William Gibson.

“Steampunk is a subgenre of fantasy and speculative fiction which came into prominence in the 1980s and early 1990s. The term denotes works set in an era or world where steam power is still widely used—usually the 19th century, and often set in Victorian era England—but with prominent elements of either science fiction or fantasy, such as fictional technological inventions like those found in the works of H. G. Wells and Jules Verne, or real technological developments like the computer occurring at an earlier date.” – Wikipedia

“Instead of shouting the message, hide it”

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Will we still get carpet bombed by mindless 30 second commercials in the future? (And by future I mean a couple of weeks from now.) Seems unlikely, but how will savvy marketers reach –and more importantly– engage us? How do you “reach people who are so media-saturated they block all attempts to get through.”

Perhaps with alternate reality games (ARG’s). That’s the subject of a fascinating article by Frank Rose in this month’s Wired Magazine (Issue 16.01).

“The initial clue was so subtle that for nearly two days nobody noticed it. On February 10, 2007, the first night of Nine Inch Nails’ European tour, T-shirts went on sale at a 19th-century Lisbon concert hall with what looked to be a printing error: Random letters in the tour schedule on the back seemed slightly boldfaced. Then a 27-year-old Lisbon photographer named Nuno Foros realized that, strung together, the boldface letters spelled “i am trying to believe.” Foros posted a photo of his T-shirt on the Spiral, the Nine Inch Nails fan forum. People started typing “iamtryingtobelieve.com” into their Web browsers. That led them to a site denouncing something called Parepin, a drug apparently introduced into the US water supply. Ostensibly, Parepin was an antidote to bioterror agents, but in reality, the page declared, it was part of a government plot to confuse and sedate citizens. Email sent to the site’s contact link generated a cryptic auto-response: “I’m drinking the water. So should you.” Online, fans worldwide debated what this had to do with Nine Inch Nails. A setup for the next album? Some kind of interactive game? Or what?”

I’m not a gamer. At all. But I love shit like this. Reminds me of the viral video snippets in William Gibson’s Pattern Recognition. The Wired article is well worth the read.

Ubiquitous computing, blended reality

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“Totally ubiquitous computing. One of the things our grandchildren will find quaintest about us is that we distinguish the digital from the real, the virtual from the real. In the future, that will become literally impossible. The distinction between cyberspace and that which isn’t cyberspace is going to be unimaginable. When I wrote Neuromancer in 1984, cyberspace already existed for some people, but they didn’t spend all their time there. So cyberspace was there, and we were here. Now cyberspace is here for a lot of us, and there has become any state of relative nonconnectivity. There is where they don’t have Wi-Fi.

In a world of superubiquitous computing, you’re not gonna know when you’re on or when you’re off. You’re always going to be on, in some sort of blended-reality state. You only think about it when something goes wrong and it goes off. And then it’s a drag.”

— From Rolling Stone interview with William Gibson

Brad Sucks

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Bradphoto200701
What was William Gibson listening to while writing Spook Country? Among others, a group called Brad Sucks. I never heard of ’em but if Mr. Gibson likes their music, I figured I’d take a listen. And liked what I heard. Brad Sucks invites you download their music for free but I clicked the iTunes link and bought the CD for ten bucks (after sampling each of the songs on the CD).

"In 2001, I started using the Internet (blogs, MP3s, P2P) to spread my music and not worrying so much about copyright violation. I’ve even been giving the source of my songs away for remixers to play with. I figured that spreading my music should be the number one goal and so far it’s worked out pretty well."

Does Brad Sucks get radio airplay? Comment if you know.

Surrendering the rule of law

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“A nation consists of its laws. A nation does not consist of its situation at a given time. If an individual’s morals are situational, that individual is without morals. If a nation’s laws are situational, that nation has no laws, and soon isn’t a nation.”

“Are you really so scared of terrorists that you’ll dismantle the structures that made America what it is? If you are, you let the terrorists win. Because that is exactly, specifically, his goal: to frighten you into surrendering the rule of law. That’s why they call him ‘terrorist.’ He uses terrifying threats to induce you to degrade your own society.”

— Spook Country, William Gibson (pg. 136-137)

The Bourne Ultimatum

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Just watch the extended trailer of The Bourne Ultimatum, the latest (and final?) installment in the series of spy thrillers starring Matt Damon. Goose bumps. Twice. If this flick is as good as the first two, it will make for one hell of a three-DVD set.

Those of us with EAG (Enhanced Anticipation Gene) are cursed and blessed. Cursed when we flip into Worry Mode… blessed when we have lots of stuff fun stuff just over the horizon. Like this movie, which opens August 3. And William Gibson’s Spook Country, a few days later. And a new version of the Mac operating system in October (Will somebody please turn off the nerd alarm?)

Spook Country

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Spook Country is William Gibson’s newest novel. According to amazon.com it will be released on August 7, 2007. Fragments of the novel have been posted non-sequentially on Gibson’s blog for some time now, and have led to much speculation on the content and plot of the novel. From the US publisher Putnam’s catalog:

“Tito is in his early 20s. Cuban by ancestry, he speaks fluent Russian, lives in one room in a Nolita warehouse, and does delicate jobs involving information transfer.

Hollis Henry is a journalist, on investigative assignment from a magazine called Node. Node doesn’t exist yet, which is fine, she’s used to that, but it seems to be actively preventing the kind of buzz that magazines normally cultivate before they begin to exist. That would be odd, and even a little scary, if Hollis allowed herself to think about it much, which she can’t afford to do.

Milgrim is a junkie. A high-end junkie, hooked on prescription anti-anxiety drugs, but he figures he wouldn’t survive 24 hours if Brown, the mystery man who saved him from a misunderstanding with his dealer, ever stopped supplying the little bubble-packs. What Brown is up to Milgrim can’t say, but it seems to be military – at least, Milgrim’s very nuanced Russian is a big part of it, as is breaking into locked rooms.

Bobby Chombo is a ‘producer’, and an enigma. In his day job, Bobby is a trouble-shooter for military navigation equipment. He refuses to sleep in the same place twice. He meets no one. Hollis Henry has been told to find him.”

Gibson is far and away my favorite author. Yet another reason to go on.

Futurism: Glancing sideways

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“The thing that’s going to be quaint about “cyberspace” (that already is, really) is the inherent assumption that it’s a realm unto itself; that it’s in any way elsewhere or other. Glancing sideways is becoming more generally recognized as about the best way of doing what we used to call futurism.”

–William Gibson

Gibson’s Virtual Light forsaw 7-Eleven take-over

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Seven-Eleven Japan –Japan’s largest convenience store operator with more than 10,000 locations– is going to try to buy 7-Eleven USA. William Gibson predicted this in Virtual Light several years ago but I am damned if I can find my copy so I can illustrate this properly. So, tomorrow, I’m going down to Barnes & Noble and buy another copy so I can properly make this point. Stay tuned.