Edward Wasserman: “The Next Rebirth of the Media”

Edward Wasserman titled his piece “The Next Rebirth of the Media” but I came away wondering about the future relavence of networks as we know them. Wasserman is a professor of Journalism and Mass Communications at Washington and Lee University in Lexington, VA.

“TV will migrate to the Net, and if networks can reach a national audience online, why bother with costly affiliation contracts? By cutting out the needless re-transmitters they keep the entire advertising dollar. But what becomes of broadcast affiliates once theyre no longer affiliates  indeed, once theyre no longer broadcasters either, since their audiences wont be getting them over-the-air either? When you click on to your online news and entertainment options, why will you choose your local ex-ABC affiliate? You wont, unless it has something unique to offer  namely, the very content that has been most sorely neglected in the current era of non-regulation: local programming.”

Four our five years ago I described the Web as a meteor, far out in space, headed toward earth. We don’t know how big it is… when it’s going to get here… or whether it will miss our little planet or smash ut so bits. But we better start building spaceships. Just in case. Don’t know how to build a spaceship? Better start learning. The meteor is big…and it’s close.

Numb3rs.

I’m a big fan of the movies of Ridley and Tony Scott, so I don’t know how I missed the fact they are brothers. The two are collaborating on TV series (that premiers on CBS in January) called Numb3rs:

“Rob Morrow stars as an FBI agent who recruits his mathematical genius brother to help the Bureau solve a wide range of challenging crimes in Los Angeles. Inspired by actual events, the series will depict how the confluence of police work and mathematics provide unexpected revelations and answers to the most perplexing criminal questions.”

I’d be much more hopeful about the series if it were going to be on HBO but I’ll be watching.

The Trio Channel

Last night I discovered Trio (pop, culture, tv). I’m prone to endless channel surfing so I don’t know how I’ve missed this but I happend upon “Parking Lot.”

Spawned by the classic 1980s underground film “Heavy Metal Parking Lot,” Trio travels to the parking lots and convention grounds of America’s favorite pop culture events to hear fans express their devotion. And they never show any of the performances. Just fans in the parking lot, before and after. Very weird.

I’m going to try to catch some of Trio’s “Dysfunctional Family Thanksgiving” marathon, including:

  • Almost Elvis takes you into the world of Elvis impersonators. Their daily trials and tribulations and a pilgrimage to Memphis for the “Elvis Impersonator World Championships.”
  • The Devil’s Playground follows a group of Amish teens in their Rumspringa period as they venture into the world of their ‘English’ peers.

Transmitter for Sale

When I first started working at the radio station (1972), we were required to take transmitter readings every 15 minutes. Keeping the transmitter on was the number one –and obvious– priority. And I guess that’s still true for radio stations today. No transmitter…no radio. But not for TV.

On Monday we noticed we were not receiving the local ABC affiliate. Just static. We watch very little network TV these days but still try to catch Peter Jennings and we’re hanging in for the final season of NYPD Blue. So I called the TV station and asked the lady who answered the phone what was going on.

“One of our transmitter tubes went out over the weekend but you can get us on the cable,” she explained.

“I don’t have cable,” I infomed her.

“So, how do you watch us?”

“I have an antenna.”

“Oh. Well, we should have the transmitter working again by the end of the week.”

This struck me as something of a revelation. The TV station wasn’t concerned that their trasmitter was down. The “signal” (content) was getting out via cable. I wanted to ask her about the rural viewers that don’t have cable but there aren’t enough of us to pose a problem.

I started wondering what does the local TV station add to the content mix? Their local newscast. Local weather. Bunch of local commercials. It just feels like those local affiliates are becoming less important every day.

All of this reminded me of ABC Now, the network’s effort to deliver content by non-traditional means. How much would I pay to be able to download World News Tonight directly from the network? Or NYPD Blue? I’m already doing this with XM and it works just fine, thank you.

In conclusion, I guess I’m no more concerned about the TV station transmitter being dark than they are.

Old TV, New TV.

A friend who had seen Jon Stewart savage the Crossfire weenies called to tell me about it and I remember thinking, “Crap. I missed it.” Then, I remember thinking, “I’ll be able to find it on the Net.” And I did. Jeff Jarvis calls it “the future of TV”:

“In old TV, a moment like this came, and if you missed it, you missed it. Tough luck. In new TV, you don’t need to worry about watching it live–live is so yesterday–because thousands of peers will be keeping an eye out for you to let you know what you should watch, and they’ll record it and distribute it.” [C|Net story]

The Daily Show’s Stephen Colbert

on covering the GOP convention: “We want to find out actual information about Republicans. We want to know where the pods are, where they’re grown, and we want to photograph them before they’re harvested.” Next to XM’s “Everything, All the Time,” The Daily Show’s “The Most Trusted Name in Fake News” might be the best tag line ever.

Show Biz Moms & Dads

Show Biz Moms & Dads premiers Tuesday, April 13th, 8 p.m. Central, on Bravo. I’m not a fan of reality TV but must confess I’m looking forward to this one. Watching the promos, it seems obvious to me that the parents don’t know that the hook on this show is how pathetic they look, trying to live through their children.

The Nutters  mom, dad and seven kids  who relocated from a rural home in Vermont to a tiny two-bedroom apartment in New York so the whole family could pursue acting careers in the big city.

Four year-old pageant participant Emily Tye, whose mom Debbie spends upwards of $20,000 a year to keep her young daughter competitive.

Aspiring teen actor Jordan Barron and her mom Tiffany, who struggles with a demanding schedule of holding down a job, raising two kids and shuttling Jordan to auditions and acting classes.