Richard Peck (1948-2019)

Richard was a poet, performance artist, sculptor, philosopher, film maker, handy-man and life-long friend.


“Picture a very swift torrent, a river rushing down between rocky walls. There is a long, shallow bar of sand and gravel that runs right down the middle of the river. It is under water. You are born and you have to stand on that narrow, submerged bar, where everyone stands. The ones born before you, the ones older than you, are upriver from you. The younger one stand braced on the bar downriver. And the whole long bar is slowly moving down that river of time, washing away at the upstream end and building up downstream.

Your time, the time of all your contemporaries, schoolmates, your loves and your adversaries, is that part of the shifting bar on which you stand. And it is crowded at first. You can see the way it thins out, upstream from you. The old ones are washed away and their bodies go swiftly buy, like logs in the current. Downstream where the younger ones stand thick, you can see them flounder, lose footing, wash away. Always there is more room where you stand, but always the swift water grows deeper, and you feel the shift of the sand and the gravel under your feet as the river wears it away. Someone looking for a safer place to stand can nudge you off balance, and you are gone. Someone who has stood beside you for a long time gives a forlorn cry and you reach to catch their hand, but the fingertips slide away and they are gone. There are the sounds in the rocky gorge, the roar of the water, the shifting, gritty sound of the sand and the gravel underfoot, the forlorn cries of despair as the nearby ones, and the ones upstream, are taken by the current. Some old ones who stand on a good place, well braced, understanding currents and balance, last a long time. Far downstream from you are the thin, startled cries of the ones who never got planted, never got set, never quite understood the message of the torrent.”

–From John D. MacDonald’s Pale Gray for Guilt

UPDATE 6/16/19: Said goodbye to RP yesterday. His remains were cremated and placed in a .50 caliber ammo box (complete with small Confederate battle flag sticker) along with assorted mementos (a two dollar bill; some Risk pieces; etc). The ammo box was placed in the back of a new Cadillac hearse and transported to Piggott, AR for burial (a compromise with Rebecca). At the conclusion of the graveside service the minister reached down and blessed the ammo box. The End.

The ravages of time

The photo above was taken last September at the 50 year reunion of the Kennett High School Class of 1966. Richard Peck and Larry Mullen standing; Joe Browning, John Robison and another guy seated. I attended my ten year reunion but skipped all the others. I’m glad I went to this last one. Got to spend a little time with Joe whose energy was released back into the Universe this week.

I took the other photo in 1968 in Richard Peck’s basement. A place to drink beer and be as young as we would ever be. L-R: Richard Peck, Jim Bob Green, John Robison, Jane Marshall and Lynn Strickland. Charlie Peck and Joe Browning down front. This photo became (for me) iconic of that wonderful time. How we came to be the old men in the class reunion photo is a mystery.

The Basement Diaries Redux

L-R: Richard Peck, Jim Bob Green, John Robison, Charlie Peck (seated), Jane Marshall, Joe Browning (seated), Lynn Strickland

I’m committed to the do-over for The Basement Diaries but I’m quickly discovering it’s going to take a lot longer than I anticipated. I keep discovering pages that had fallen behind the digital chest of drawers. I’m starting with just recreating all of the pages and getting them linked. I don’t want to think about re-scanning hundreds of photos. This is the signature image for The Basement Diaries. Everyone has a snapshot like this, that captured a time and place.

Next summer will be the 40th anniversary of “the basement summer,” so I’ll have to have the site back up before then. Which means even less blog time for smays.com.