“I Wish I Knew How to Force Quit You”

My friend John called this morning and there was an urgency in his tone. “I want you to listen to a segment of This American Life and call me back.” John is not one to get excited about… well, about anything. So I stopped what was doing (okay, I wasn’t doing anything) and found the audio he wanted me to hear. From the This American Life web page:

I Wish I Knew How to Force Quit You. Writer Simon Rich grapples with an A.I. chatbot that threatens to make him obsolete. Excerpts from the audiobook edition of I am Code, written by code-davinci-002, edited by Brent Katz, Josh Morgenthau, and Simon Rich; read by Werner Herzog, Brent Katz, Josh Morgenthau, and Simon Rich, used with permission from Hachette Audio.

The segment is 21 minutes long and is probably the most amazing thing I’ve heard in… well, I don’t remember when I’ve heard anything more amazing. Your mileage may vary.

“Downpour,” by Billy Collins

Last night we ended up on the couch
trying to remember
all of the friends who had died so far,

and this morning I wrote them down
in alphabetical order
on the flip side of a shopping list
you had left on the kitchen table.

So many of them had been swept away
as if by a hand from the sky,
it was good to recall them,
I was thinking
under the cold lights of a supermarket
as I guided a cart with a wobbly wheel
up and down the long strident aisles.

I was on the lookout for blueberries,
English muffins, linguini, heavy cream,
light bulbs, apples, Canadian bacon,
and whatever else was on the list,
which I managed to keep grocery side up,

until I had passed through the electric doors,
where I stopped to realize,
as I turned the list over,
that I had forgotten Terry O’Shea
as well as the bananas and the bread.

It was pouring by then,
spilling, as they say in Ireland,
people splashing across the lot to their cars.
And that is when I set out,
walking slowly and precisely,
a soaking-wet man
bearing bags of groceries,
walking as if in a procession honoring the dead.

I felt I owed this to Terry,
who was such a strong painter,
for almost forgetting him
and to all the others who had formed
a circle around him on the screen in my head.

I was walking more slowly now
in the presence of the compassion
the dead were extending to a comrade,

plus I was in no hurry to return
to the kitchen, where I would have to tell you
all about Terry and the bananas and the bread.

You can hear the poet read his poem here.

Five animated poems by Billy Collins

Poor Person Baton

There’s a sad little woman
with a cardboard sign
standing by the off-ramp
pretty much rain or shine.
The sign says “god bless you”
but I never look too close.
She wears those long dresses
that say I’m a child of god,
you can forget about my legs.
When I miss the light
and have to stop
I hold up a bill and she trots over
“God bless you, god bless you”…
Whoosh I’m gone.
When the light is green
I go sailing by, “next time” say my eyes.
Or we try a daring hand-off move
like passing the poor person baton.

Dead Air

Dead Air
The circus sounded louder, before it came to town.
The trumpeting pachyderm I was to ride, deafening.
But listening from the wings of the not-so-Bigtop,
The small town crowd made anxious sounds,
Then delighted gasps, to see me astride the tiny beast,
My red high tops dragging lightly through the sawdust.

Judging the beauty of little girls needs quiet.
Not the angry feed of mothers, charging backstage
To rescue little also-rans through the band room door.
Experienced masters of such ceremonies pretend
We do not hear their shame.

But the loudest sound is the tick, tick, tick
Of the song that ended while I was gone.
This room, this Studio, must never be silent.
Can they hear my panic as I bring the air
Back from the dead?

The left hand

I am a fan of the poetry of Billy Collins. The following stanza is from a poem titled Piano Lessons

I am learning to play
“It Might As Well Be Spring”
but my left hand would rather be jingling
the change in the darkness of my pocket
or taking a nap on an armrest.
I have to drag him in to the music
like a difficult and neglected child.
This is the revenge of the one who never gets
to hold the pen or wave good-bye,
and now, who never gets to play the melody.