LA Times reviews Sheryl Crow’s ‘Detours’

"Sheryl Crow has proven her mettle so many times that her unique position is now taken for granted. She may be the most successful woman rocker ever, with the most consistently auspicious career. But she’s still often dismissed as merely competent."

"Crow’s progressive lyrics hit like rubber-band pings fired by some joker in the back row at school. No one is likely to sing her verses at a march on Washington. But by addressing serious issues in the language of pop, they remind us that political speech and casual breeze-shooting can and do often intersect." [Full review]

Dress Blues

What can you see from your window?
I can’t see anything from mine.
Flags on the side of the highway
and scripture on grocery store signs.
Maybe eighteen was too early.
Maybe thirty or forty is too.
Did you get your chance to make peace with the man
before he sent down his angels for you?

Mamas and grandmamas love you
’cause that’s all they know how to do.
You never planned on the bombs in the sand
or sleeping in your dress blues.

Your wife said this all would be funny
when you came back home in a week.
You’d turn twenty-two and we’d celebrate you
in a bar or a tent by the creek.
Your baby would just about be here.
Your very last tour would be up
but you won’t be back. They’re all dressing in black
drinking sweet tea in styrofoam cups.

Mamas and grandmamas love you.
American boys hate to lose.
You never planned on the bombs in the sand
or sleeping in your dress blues.

Now the high school gymnasium’s ready,
full of flowers and old legionnaires.
Nobody showed up to protest,
just sniffle and stare.
But there’s red, white, and blue in the rafters
and there’s silent old men from the corps.
What did they say when they shipped you away
to fight somebody’s Hollywood war?

Nobody here could forget you.
You showed us what we had to lose.
You never planned on the bombs in the sand
or sleeping in your dress blues.

No, no you never planned on the bombs in the sand
or sleeping in your dress blues.

                  — Jason Isbell , on Sirens Of The Ditch

Ten in a row!

Mark Ramsey shares some thoughts on a story in the Sunday Times of London about the growing number of Brits tuning in to personalized Internet “radio” every week (and tuning out traditional radio).

Sunday Times: “Personalised broadcasts of the future will probably have either advertising or a price tag attached, just as they do today. But once your radio knows exactly what you want to hear, the idea of a human DJ – however cheeky his banter – might start to sound a little dated.”

Ramsey: “Over the long haul I fully expect the influence of music-oriented radio to diminish. Because music, my friends, is a commodity. Not only can anyone string together a playlist, but nobody can string together my favorite playlist better than I can.”

“What it all adds up to is the gradual near-obsolescence of music radio, not in a blink, but by a slow and persistent siphoning of audience and attention and interest and advertisers. This process will take years to happen.”

I read a lot of stories like this but very few on the impact of Internet “stations” on non-music formats. Are news-talk formats feeling any effect from the web? My radio pals can feel free to post an anonymous comment.

Lee Garrett

Sometime in the 70’s I interviewed Lee Garrett on the Grapevine, a talk show we did at KBOA. If memory serves, Garrett –who was blind– was in town visiting his momma (or some relative). I recall him being a funny guy. Following the interview, I walked him out to the parking lot (where his driver was waiting) and he said that he could drive himself, but only at night.

I sure would like to know the Kennett connection. Can anyone out there help me with that?

Update 1/2/088: Anthony Buckley –Lee Garrett’s son– found his way to this post and confirms that there is still family in Kennett and Lee visits a couple of times a year.
Lee was recently out on tour with Stevie Wonder and has also co-written an album that’s been nominated for an upcoming Grammy (“Soul of a Man” Patrick Lamb performer and co-writer).

HD Radio looking for iTunes hook

“Polk Audio will announce the next generation of HD Radio tuners that will establish a direction connection between HD and iPods — and in the process bring e-commerce to HD. In an alliance with Apple, Polk’s new I-Sonic ES2 HD Radio will include an iPod docking station that features a “tagging button” which will allow listeners to buy songs they hear on HD Radio stations via iTunes. The advancement requires HD stations to encode their signals and insiders say eight radio groups have committed to encoding.” –

– INSIDE RADIO

Brad Sucks

Bradphoto200701
What was William Gibson listening to while writing Spook Country? Among others, a group called Brad Sucks. I never heard of ’em but if Mr. Gibson likes their music, I figured I’d take a listen. And liked what I heard. Brad Sucks invites you download their music for free but I clicked the iTunes link and bought the CD for ten bucks (after sampling each of the songs on the CD).

"In 2001, I started using the Internet (blogs, MP3s, P2P) to spread my music and not worrying so much about copyright violation. I’ve even been giving the source of my songs away for remixers to play with. I figured that spreading my music should be the number one goal and so far it’s worked out pretty well."

Does Brad Sucks get radio airplay? Comment if you know.

Sheryl Crow and The Usual Suspects

On her way back from Destin last weekend, Barb stopped off in Memphis to hook up with some Kennett pals and catch The Usual Suspects at B. B. King’s on historic  Beale Street.  [Photos] The Usual Suspects is a pick-up band made up of some good old Kennett boys: Wendell Crow (Sheryl’s daddy), Jim Baker, Gary Wilcoxson, Darryl Wilcoxson, Doug Carter and Ken Williams. Barb shot a little video on her Casio (she didn’t have a real good angle).

Sgt. Pepper’s Lonely Hearts Club Band

“For many fans, hearing Sgt. Pepper’s Lonely Hearts Club Band for the first time was a life-changing experience. Prior to its release in June of 1967, most of music being produced was for Top 40, AM radio play and for dance parties. Kids bought 45s and never thought of a collection of songs as a “concept album” or work of art. Sgt. Pepper’s was unlike anything anyone had heard before.”

You had to be there to appreciate “Sgt. Pepper’s” but this piece on today’s All Things Considered takes a good stab at explaining why it was a big deal. I was just finishing my first year of college when the album was released. Perfect timing.