Good Night, and Good Luck

Finally saw George Clooney’s movie about Edward Murrrow’s efforts to bring down Senator Joseph McCarthy. No car chases. No gunfire. No explosions. No nudity. Just a bunch of guys talking and smoking and looking terrified. In black and white. There were five of us in the theater. Would love to see the movie again, but next time in the White House screening room with W, Cheney, Rumsfeld, Rove and…maybe John Ashcroft. One of those movies that nobody ever expected to make a lot of money. Just needed to be made.

Bad movies reduce movie attendance

“A study by LA-based research firm OTX found among young men 13-25, 24 percent saw fewer movies than they did in 2003 and have shifted that leisure time to IMing and playing video games. Of course, unsurprisingly, it’s also due to only 35 percent saying there’s an “excellent selection” of movies as opposed to 60 percent two years ago. Cost was also cited as a factor as well with 68 percent claiming movies have become too expensive.” [AdRants]

Shitty movies that cost too much. Crappy theaters. Endless ads for karate studios and overweight real estate agents with bad hair. We were planning to see Serenity and Mirrormask in a theater but, you know what? Screw the theaters. Not another dime. I’m gonna wait for the DVDs.

Richard Dreyfuss was in The Graduate

Richard DryfussI have no idea how many times I’ve seen that movie (1967) but I never spotted Dreyfuss. He’s only on screen for a few seconds, peeking around Norman Fell, but that was enough for Barb. For those who have seen the movie or care, it’s the appartment house scene and it really looks like Dreyfuss pushes in front of the other extras to get his face front-and-center. And since we’re knee-deep in trivia, I have to wonder if this tiny part for Norman Fell (the apartment manager) contributed in any way to his casting as Mr. Roper in Three’s Company.

Why shouldn’t I work for the NSA?

“Why shouldn’t I work for the N.S.A.? That’s a tough one, but I’ll take a shot. Say I’m working at the N.S.A. Somebody puts a code on my desk, something nobody else can break. Maybe I take a shot at it and maybe I break it. And I’m real happy with myself, ’cause I did my job well. But maybe that code was the location of some rebel army in North Africa or the Middle East. Once they have that location, they bomb the village where the rebels were hiding and fifteen hundred people that I never met and that I never had no problem with get killed. Now the politicians are sayin’, “Send in the marines to secure the area” ’cause they don’t give a shit. It won’t be their kid over there, gettin’ shot. Just like it wasn’t them when their number was called, ’cause they were pullin’ a tour in the National Guard. It’ll be some kid from Southie takin’ shrapnel in the ass. And he comes home to find that the plant he used to work at got exported to the country he just got back from. And the guy who put the shrapnel in his ass got his old job, ’cause he’ll work for fifteen cents a day and no bathroom breaks. Meanwhile he realizes the only reason he was over there in the first place was so we could install a government that would sell us oil at a good price. And of course the oil companies used the skirmish over there to scare up domestic oil prices. A cute little ancillary benefit for them but it ain’t helping my buddy at two-fifty a gallon. They’re takin’ their sweet time bringin’ the oil back, and maybe even took the liberty of hiring an alcoholic skipper who likes to drink martinis and fuckin’ play slalom with the icebergs, and it ain’t too long ’til he hits one, spills the oil and kills all the sea life in the North Atlantic. So now my buddy’s out of work and he can’t afford to drive, so he’s walking to the fuckin’ job interviews, which sucks ’cause the schrapnel in his ass is givin’ him chronic hemorroids. And meanwhile he’s starvin’ ’cause every time he tries to get a bite to eat the only blue plate special they’re servin’ is North Atlantic scrod with Quaker State. So what did I think? I’m holdin’ out for somethin’ better. I figure, fuck it, while I’m at it, why not just shoot my buddy, take his job and give it to his sworn enemy, hike up gas prices, bomb a village, club a baby seal, hit the hash pipe and join the National Guard? I could be elected president.”

— Will Hunting (Matt Damon) explains why he shouldn’t work for the N.S.A.

Good Night, and Good Luck

Good Night, And Good Luck.” takes place during the early days of broadcast journalism in 1950’s America. It chronicles the real-life conflict between television newsman Edward R. Murrow and Senator Joseph McCarthy and the House Un-American Activities Committee. With a desire to report the facts and enlighten the public, Murrow, and his dedicated staff – headed by his producer Fred Friendly and Joe Wershba in the CBS newsroom – defy corporate and sponsorship pressures to examine the lies and scaremongering tactics perpetrated by McCarthy during his communist ‘witch-hunts’. A very public feud develops when the Senator responds by accusing the anchor of being a communist. In this climate of fear and reprisal, the CBS crew carries on and their tenacity will prove historic and monumental. [Movie stills]

Produced by George Clooney, GN&GL opens in October. Won’t be a dry eye in the newsroom.

30 movies I can watch again

Alien
Aliens
Black Hawk Down
Blade Runner
Jeremiah Johnson
Last of the Mohicans
Manhunter
Marathon Man
Midnight Cowboy
Mississippi Burning
No Way Out
Platoon
Pulp Fiction
Saving Private Ryan
Speed
Terminator
Terminator II
The Good, The Bad and The Ugly
The Commitments
The Getaway
The Matrix
Three Musketeers
Four Musketeers
The Professional
The Road Warrior
The Verdict
Three Days of the Condor
Time Bandits
True Romance
WarGames

New office

You might have noticed some construction in my office-cam photos. Big remodel underway at Learfield Intergalactic with lots of office reshuffle and this blogger is leaving his home of 15 years (something like that) and moving to a different office on the other side of the building. They’re letting me keep an office (only a little smaller) because I’ve been with the company for 21 years. And I appreciate the gesture. I’ll be closer to the IT Gods and that’s a good thing. Still have a window and a better view. Soon as we get moved in get the cam going going, we’ll point it that way.

Update: Photo above was taken nearly 20 years ago in the old Learfield offices located on McCarty Street here in Jefferson City. We wore suits and ties back then.

No way out

Got a call today from a guy I knew from my affiliate relations days. He left the radio business for a couple years but is once again managing a station in southern Missouri. When I mentioned this to Data Daddy David, he said it reminded him those movies where where somebody escapes, is recaptured, and paraded before the other prisoners as the screws take him back to his cell.

“Like in Cool Hand Luke,” I observed.

“I was actually thinking of Steve McQueen in The Great Escape,” DDD replied. “I can see the guy sitting on the floor of his office, bouncing that baseball off the wall, hour after hour.”

I’ve been trying to come up with other movies where someone escapes, is captured, and brought back. Submissions may sent to stevemays@hotmail.com.