Sputnik Monroe

Long before the glitz and glamor that is “professional wrestling” today, Memphis, Tennessee, was something of a mecca for the… let’s not call it a sport… for the business. Some of the big names of the day would also appear in small town venues, including the VFW in Kennett, Missouri. From here, I’ll let Michael Spooner share his Brush With Near Greatness:

Sputnik250“For those who may not know, Sputnik Monroe was a celebrated Memphis wrestler in the late 1950’s and 60’s.  He, along with many other wrestlers, came to Kennett to fight.  I recall, at least in Kennett, no one seemed to like Sputnik since he had this ‘bad guy’ reputation.  And for a couple of seasons we, too, did our share of booing Sputnik. Until the day, one Saturday afternoon, when he came to our home as a guest for dinner.  This wasn’t a complete surprise since we were warned of his visit.  Nevertheless, my sisters and I were shaking in our boots, while at the same time, immensely excited that an ‘almost movie star’ was coming to our house.

Well how did this happen, you ask?  First of all, Sputnik and my mother never dated. My mother, however, did date a wonderful guy named Skip Pepper from Memphis for a few  years in the late 50’s.  At the time Skip owned a Dollar Store in Kennett, located on the north west corner of the town square.  Skip knew Sputnik as a friend (we didn’t know this until we learned of his coming to dinner).  It was Skip who arranged the visit.”

It’s a shame Michael’s mom never dated Sputnik. A guy could do a lot worse than “My Mom Dated Sputnik Monroe” for the title of an autobiography.

From Sputnik’s Wikipedia entry: On May 4, 2007, HBO announced they would make a movie based on Monroe’s life. On September 6, 2007 Julien Nitzberg confirmed the first draft of the Sputnik movie had been completed. A Los Angeles-based rock band is named after him. More on Sputnik Monroe. And I found this tribute to Sputnik following his death.

If you were with me here at the Coffee Zone, I could demonstrate the Man’s signature “Sputnik Strut.”

Mike Spooner: Creator of Worlds

Michael_spoonerRemember that kid that sat behind you grade school that was always drawing? Ever wonder what happened to him? Well, if he (or she) was as talented as Michael Spooner, he did okay.

Michael (we knew him as Mike back then) and I were classmates 45 years ago in Kennett, MO. Michael and I ran in different crowds but Kennett was a small place and everybody knew everybody.

In a previous post I mentioned that Michael stumbled across smays.com a few days ago and pinged me. He included some old snapshots and his resume, to let me know what he’s been up to.

He got into animation as a  Layout Artist with Ralph Bakshi’s feature production of Tolkien’s, Lord of the Rings. He spent some years at Disney where he worked on –just to name a few– Goof Troop, The Little Mermaid, Aladdin, The Emperor’s New Groove, Treasure Planet and Lilo and Stitch. He also assisted on early development design of Dreamworks’ Shrek. And he Co-Art Directed Warner Brothers first full-length animated feature, Quest for Camelot. If you have kids or an appreciation for animation, check out his bio. He was also kind enough to share a dozen or so examples of his work.

Treasure475

I called Michael up this morning and asked him to share some of his adventures and we wound up talking for an hour. I’ve cut the interview into three segments about about 20 minutes each.

AUDIO: Interview Part 1

AUDIO: Interview Part 2

AUDIO: Interview Part 3

Today, Michael owns Spoonerville Animation Design, an independent visual development studio, providing both traditional and CGI design concepts and lives in the western suburbs of Chicago with his writer-wife Beverly, and son Philip.

Michael is a visiting artist and lecturer, presenting in universities, art schools and animation studios throughout the United States.

J. Michael Spooner – Visual Development Design Consultant

Michael Spooner has worked in the animation industry for twenty-five years with such notable studios as Walt Disney, Warner Brothers and DreamWorks.

Michael’s professional career in art began in 1976, when he was invited to join the faculty at Art Center College of Design in Los Angeles, after graduating with distinction. He taught for twelve years, simultaneously working as a freelance illustrator for clients that included the Public Broadcasting System, Zondervan Publishing House, Masda Motors, the National Football League, NBC Television, Paramount Pictures and Twentieth Century Fox.

Michael ventured into animation as a Layout Artist with Ralph Bakshi’s feature production of Tolkien’s, Lord of the Rings. Shortly after he worked with Filmation Studios on He-Man, Bravestar and Fat Albert and on the Bagdasarian feature, The Chipmunk Adventure.

Joining the Walt Disney Television Animation team in 1988 as a Visual Development Artist and Production Designer, Michael set the style for such episodic shows as, Chip ‘n’ Dale’s Rescue Rangers, Talespin, Goof Troop, The Little Mermaid, New Bonkers and Aladdin. He also worked on the direct-to-video production of Aladdin and the King of Thieves.

In 1994, Michael and his family moved to Paris, France, where he headed up the Production Layout team for Disney’s feature film, A Goofy Movie.

Returning to Los Angeles in 1995, Michael Co-Art Directed Warner Brothers first full-length animated feature, Quest for Camelot. Following that he worked independently as a Visual Development Designer Consultant on Disney’s Dinosaurs, The Emperor’s New Groove, Treasure Planet and Lilo and Stitch. Michael also assisted on early development design of Dreamworks,’ Shrek.

Michael moved to the Chicago area in 1999 to become Vice President of Visual Development and Artist Education with Big Idea Productions, home of the popular 3D animated video series, Veggie Tales. There he developed and headed up the Visual Development process in Story, Concept Design, Modeling and Layout. He also served as Art Director on various productions and as an Art Direction Consultant on Big Idea’s first feature animated film, Jonah.

Today, Michael owns Spoonerville Animation Design, an independent visual development studio, providing both traditional and CGI design concepts for clients such as Big Idea, Inc., Star Farm Productions, ReelFX Creative Studios and Walt Disney Animation Studios.

He lives in the western suburbs of Chicago with his writer-wife Beverly, and son Philip.

Michael is a visiting artist and lecturer, presenting in universities, art schools and animation studios throughout the United States.

You may reach him at: spoonerville1@sbcglobal.net or 630 301-0895

Michael Spooner

A Google search led Mike Spooner (he goes by Michael these day) to this blog. I grew up with Mike, er, Michael, in Kennett, Missouri. He moved to Flint, Michigan, in 1964, did “some” college before getting drafted in 1969. Not a good year to get drafted. Following service he attended art college in Los Angeles and stayed for 28 years. From Michael’s bio:

“Michael Spooner has worked in the animation industry for twenty-five years with such notable studios as Walt Disney, Warner Brothers and DreamWorks. Michael’s professional career in art began in 1976, when he was invited to join the faculty at Art Center College of Design in Los Angeles, after graduating with distinction.  He taught for twelve years, simultaneously working as a freelance illustrator for clients that included the Public Broadcasting System, Zondervan Publishing House, Masda Motors, the National Football League, NBC Television, Paramount Pictures and Twentieth Century Fox.”

This sounds like a Brush with Near Greatness to me and I’ve asked Michael for an interview. Stay tuned.

He got lost for a couple of hours in our Flickr photostream and shares some photos from his stash. A couple of his Cub Scout pack; one of the KHS swim team; and one of the KHS junior high track team.

The swim team photo brought back fond memories of Diane West (far left). We dated a few times. She was 16 –and could drive– and I was still 15. She lived at the municipal swimming pool and exuded the intoxicating fragrance of chlorine.

It’s nice to hear from Mike and see a few long, lost photos from my youth.