Tag Archives: KBOA

Cueing records

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I love this photograph of my father. It was taken in the control room (Studio A) of KBOA in Kennett, Missouri, probably around 1950.

Anyone that has ever “cued” a record recognizes that sense of touch and the delicate balance of the heavy tone-arm on the oh-so-easy-to-scratch record.

A skill (if you could call it that) that hasn’t been needed for many years. I’m glad I didn’t miss those final years of high-touch, hands-on radio.

We had one of the early automation systems (for our FM station) but it felt like telling someone how to make love to your girl friend.

And the thrill of having the program director walk into the studio while you were on the air and put the hot new single into “current” box. Is it as much fun to see the new single come into the rotation on a computer monitor?

Before I get carried away, allow me to say –for the record– I don’t miss using a grease pencil and splicing blog to edit tape. If I had to choose, I’d be th digital boy I have become.

Radio Announcers

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That’s what they called them when my father and Mr. Rudy (Pylant) were on the air at KBOA in Kennett, Missouri. Pop and Mr. Rudy have since made the transition to Pure Amplitude Modulation but the audio waves of their wonderful voices are still streaking through space.

I had never seen this photo of John and Rudy standing in front of the KBOA studio but, based on the automobiles behind them, it could have been as early as ’49 or ’50. The station went on the air in July of 1947 and my father started in 1949. Any of you car freaks able to ID the year of the car at the right edge of this photo?

Ole Camp Meetin’ Time

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Nostalgia Alert: We’re going back to 1947 in this post.

When KBOA went on the air (July 19, 1947), one of their first –and most popular– programs was “Ole Camp Meetin’ Time.” It was the creation of Ray Van (Hooser), the station’s first program director. The program featured hymns and gospel music but was far more than a “record show.” And it was immediately and immensly popular.

Sometime in the early ’50’s, Rudy Pylant (“Mr. Rudy”) took over Ole Camp Meetin’ Time and gave it his own special flavor (think Will Rogers-meets-Jerry Clower). The program continued to be hugely popular.

I was reminded of Ole Camp Meetin’ Time this week when my (life-long Kennett) friend Joann sent me one of the original Ole Camp Meetin’ Time Song Books. Published in late 1947, the radio staiton gave away thousands of these. Seems hopelessly quaint now but in 1947, these were like iPods.

If you grew up anywhere within a hundred miles or so of Kennett, Missouri, in the late 40’s or ’50s… you probably have memories of sitting at the breakfast table listening to Ole Camp Meetin’ Time. As I write this, I realize I don’t have the skill (or perhaps it is not possible) to convey how important this radio program was to the people that listened to it every monring. But, fortunately, I have some oral history that might come close.

You can read the introduction to the song book by station manager Paul C. Jones, after the jump.

So here we are sixty years later (gulp!) and it ain’t your father’s radio anymore. I have no illusions about returning to those days. But as I listen to the men that built KBOA talk about their love of radio (I’m not sure they would have said “the business” of radio)… I wonder if that same passion still exists today. I’m not in many stations these days so the flame might be burning brightly and I would not know. I’ve turned the comments on for this post for those than might.

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KBOA, Studio A

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I’m fortunate to have many photos from the early days of KBOA (Kennett, MO). This one of John Mays, cueing a record in the control room, was taken by Johnny Mack Reeder or Bob Miles. Probably in the early 50’s.

You can see into Studio B which served a number of purposes over the years. Live newscasts and commercials orginated from Studio B. Later it house a large “disc cutter” used for recording spots.

I’ll never forget the pleasantly musty smell of these ancient rooms with their massive doors

John Reeder: 1924-2006

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John ReederJohn Reeder (known on-air as Johnny Mack Reeder) passed away in Mt. Ida, Arkansas on October 10, 2006, at the age of 82. John was living in a nursing home at the time of his death. He’ll be buried in Blytheville, Arkansas. John helped put KBOA on the air in 1947. He and my father worked together until John left Kennett (in the fifties sixties?). John Reeder was a great broadcaster. He established KBOA’s reputation for local news coverage. You can hear John’s great pipes in the brief interview segment on KBOA830.com. John was a talented and avid photographer and took literally hundreds of photos of the early days of KBOA. Almost every image on the KBOA830.com site was taken by John.

Hollie Farris and the Senath Light

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I recently received an email from Ben Brogdon, a long-time radio guy (KLCN, Blytheville, AR) who stumbled across one of my websites:

“I Googled my old hometown radio station, KLCN, Blytheville, AR, and found a link to your Early Days At KBOA site. I sat and read every word of it, looked at every picture, and finally went to bed at 6am.”

Ben is a musician at Dollywood and played in a jazz band in college with Wendell Crow (Sheryl’s daddy). We bounced emails back and forth for a few days before he brought up “the Senath Light.” This is (was) a well-known paranormal phenomenon (that I never witnessed).

“Actually, I never saw the light. Oh, we’d drive up from Jonesboro when I was living there playing in bands, working at radio stations, and attending class on occasion, and we’d sit patiently, not making a sound, those who smoked wanting a cigarette REALLY bad, and wait, but it never came out while I was there.

Others told me they had seen it, though. One of my jazz mates at school, Hollie Farris, a trumpet player who has the distinction of being the only white musician James Brown has ever had, and who QUIT a gig with Steve Winwood to go back with JB after he got out of prison, DID stand under that tree in the middle of the road and supposedly got KNOCKED CLEAN OUT COLD by the light hitting him in the head, which most assuredly changed his life and his thinking process from that moment on.

I also worked with a piano player from Caruthersville who could talk to spirits, and was told that he had actually TALKED to the light, which surprised me, since we all knew if you made a sound, it would disappear. BUT, having him sit in my house and tell me it was inhabited by spirits, which I had suspected, and then say once when we were watching a storm that it would kill 35 people, and it DID kill 34, I somehow believe he may have talked to the light.”

Why do I blog? So I can “meet” people that played with Holly Farris, the only white musician to play with James Brown.

Small town radio: 1976

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When my brother moved to Indonesia, he stored a bunch of boxes at our father’s house. After dad died and we sold the house, I lugged the boxes back to Jeff City. My brother and I went through them this week and discovered the treasure above. My hair is gray now and may someday be gone, but I will always have this.

“Captain Banana, who spends most of his days disguised as a mild-mannered local radio personality, will emerge Saturday to serve as master of ceremonies for the American Cancer Society dance-a-thon to raise money for cancer research. The contest will begin at 7:00 p.m.; tickets are $1 at the door.” — Daily Dunklin Democrat, May 12, 1976.

33 years in radio

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Frequent visitors to smays.com know that my pop was a radio guy. He was an announcer, news guy, sales rep and station manager during his 33 years. That always seemed like a very long time. A few days ago it occurred to me that I have been in or around the radio business for that long. Not quite, if you count the year I spent in Albuquerque trying to get a radio job (I do count that year). It’s really harder to count the last 5 or 6 years doing web stuff (for a company that provides programming to radio stations). If dad were still with us, I belive I could take him into a radio station and he’d still recognize what was going on there as radio. I wonder how much longer that would be true.

Bill Fischer died this week

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Bill Fischer worked with my father during the early days of KBOA and they remained friends after Bill moved to California many years ago. According to an article in the DDD, Fischer died this week at the age of 84. In addition to his stint at the radio station, Bill owned the Log Cabin Drive-In; was projectionist at Tommie’s Drive-In Theater; and ran Calton’s Donut Shop. Kennett landmarks all.

KBOA Studio C

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I love this photo. It was taken by Johnny “Mack” Reeder, probably in the late ’40s or early ’50s. Studio C was the big “live” studio at KBOA. Lots of gospel, country and hillbilly bands performed in this studio. The door was used for sound effect. How much fun was radio back then?