Brother George (Fez #14) and I will fire up the webcam for an hour this Friday morning, webcasting from the Coffee Zone in downtown Jefferson City. Should be lots of traffic in the Zone along with colorful carny folk and swarms of strangely dressed Americans celebrating Independence Day.
We’ll get started around 9 a.m. Central. Join us if you can.
6/26/08 – 8:20 p.m.
If you have an “issue” with weight, skip this post. You won’t find it amusing, insightful or nostalgic. It will only piss you off. (Are they gone?)
If turning 60 was a milestone, this week I passed one of far greater significance. I outgrew my Levis. First time.
I’ve weighed 155 pounds since high school. I’ve worn the same size Levis –34″ inseam, 32″ waist– for more than 40 years. And I have some jeans that are 20 years old. The same age as some of our summer interns.
You can see where this is going, can’t you?
I’ve gained about 5 pounds in the last 6 months, enough to make all of my comfortable, fashionably warn jeans just a little too snug. Oh, I can lie down on the bed, like some supermodel and get them buttoned but they just aren’t comfortable any longer.
So this weekend I purchased some new jeans, with a 34 inch waist. Talk about Passages. On the up side, it’s a hell of a lot easier to find 34×34 jeans than 32×34, although I’m not sure why.
Still in the last stages of denial, I came home and tried on –one final time– all my dear old jeans. Only a couple made the cut. The rest are in suspended animation in a big Tupperware crate in the basement.
I have no doubt they could fetch a couple of hundred a piece on Rodeo Drive (assuming straight leg jeans ever make a comeback). But you can’t put a price on knowing Jessica Alba’s little keester was packed in a pair of my old Levis. Sigh.
A St. Louis firefighter attends to a victim of a motorcycle accident
after a collision with a pickup truck in St. Louis on Saturday.
Two people on the motorcycle were seriously injured. (UPI Photo/Bill
Greenblatt)
Sometimes, standing at the pump, I fantacize about getting a little scooter. But then an image –not unlike this one– forms in my mind and I crawl back in the 4-Runner.
And is Barb right, you don’t have to wear a helmet in Missouri now?
The Gizmodo caption for this photo was better than the NY Times’:
“Last Tuesday, Lori Mehmen looked out her front door in Orchard, Iowa and this is what she saw. She had a digital camera handy, and somehow managed to take this photo before crapping her pants and taking cover. This, my friends, is why always having a camera nearby is helpful.” [NY Times]
Michael Spooner has worked in the animation industry for twenty-five years with such notable studios as Walt Disney, Warner Brothers and DreamWorks.
Michael’s professional career in art began in 1976, when he was invited to join the faculty at Art Center College of Design in Los Angeles, after graduating with distinction. He taught for twelve years, simultaneously working as a freelance illustrator for clients that included the Public Broadcasting System, Zondervan Publishing House, Masda Motors, the National Football League, NBC Television, Paramount Pictures and Twentieth Century Fox.
Michael ventured into animation as a Layout Artist with Ralph Bakshi’s feature production of Tolkien’s, Lord of the Rings. Shortly after he worked with Filmation Studios on He-Man, Bravestar and Fat Albert and on the Bagdasarian feature, The Chipmunk Adventure.
Joining the Walt Disney Television Animation team in 1988 as a Visual Development Artist and Production Designer, Michael set the style for such episodic shows as, Chip ‘n’ Dale’s Rescue Rangers, Talespin, Goof Troop, The Little Mermaid, New Bonkers and Aladdin. He also worked on the direct-to-video production of Aladdin and the King of Thieves.
In 1994, Michael and his family moved to Paris, France, where he headed up the Production Layout team for Disney’s feature film, A Goofy Movie.
Returning to Los Angeles in 1995, Michael Co-Art Directed Warner Brothers first full-length animated feature, Quest for Camelot. Following that he worked independently as a Visual Development Designer Consultant on Disney’s Dinosaurs, The Emperor’s New Groove, Treasure Planet and Lilo and Stitch. Michael also assisted on early development design of Dreamworks,’ Shrek.
Michael moved to the Chicago area in 1999 to become Vice President of Visual Development and Artist Education with Big Idea Productions, home of the popular 3D animated video series, Veggie Tales. There he developed and headed up the Visual Development process in Story, Concept Design, Modeling and Layout. He also served as Art Director on various productions and as an Art Direction Consultant on Big Idea’s first feature animated film, Jonah.
Today, Michael owns Spoonerville Animation Design, an independent visual development studio, providing both traditional and CGI design concepts for clients such as Big Idea, Inc., Star Farm Productions, ReelFX Creative Studios and Walt Disney Animation Studios.
He lives in the western suburbs of Chicago with his writer-wife Beverly, and son Philip.
Michael is a visiting artist and lecturer, presenting in universities, art schools and animation studios throughout the United States.
You may reach him at: spoonerville1@sbcglobal.net or 630 301-0895
What makes for a really good bacon-lettuce-and-tomato sandwich? The L and T should be fresh and the B should be crisp and generous in proportion. You have a couple of options on the bread, whole wheat or sourdough. But either must be toasted.
One of the best BLT’s in Jefferson City can be found at Oscar’s out on the East end of town. Chef Rich (Richie?) made this one for me and it was de-licious.
I went skeet shooting with Scott and Christi yesterday. Technically, I went “skeet-shooting-at,” since I didn’t actually hit one of the little clay targets (in the air). Scott placed a couple on the ground about 20 feet from the shooting area (“home intruder range”) and I sent them to the ER if not the morgue.
I haven’t shot a gun in 40 years. Last time was during training for the Postal Inspection Service. We had to qualify with a sidearm (a very un-sexy .38 revolver back in those days) and got an hour or two of training with a 12 gauge riot gun.
I really enjoyed yesterday’s outing and quickly became the designated clay pigeon flinger. Used a little plastic launcher to sling tiny clay Frisbees into the air where Scott and Christie blew them to smithereens.
I was impressed by the skill exhibited by both Scott and Christie. She wielded a 12 gauge pump (is there anything hotter than a woman with a 12 gauge?) and he switched back and forth between a couple of shotguns.
In case you’re wondering… no, I’m not a hunter and don’t plan to be. I’ve never owned a gun. But in the unlikely event someone showed up in the middle of the night, uninvited, I’d like to greet them with something besides my MacBook in my hands. Scott recommends a side-by-side double-barrel 20 gauge.
I know. I’m as surprised as you are.