We see lots of adult Box Turtles in our neighborhood but rarely (never?) see the babies. Rick Thom –long time employee of the Missouri Department of Natural Resources– lives just down the hill from us and called a couple of days ago to report finding one of the little guys. Video runs 3 1/2 min.
Barb hired a professional sand castle artist Mark Flynn to give the family a lesson. Not too bad for a first try. And lots of fun. Here’s the flickr set and slide show.
The video above (4 min) is a walk around the lake at the Prairie Garden Trust with Pete, Sam and Boots.
Bloggers love few things as much as help a new blogger get started. George and I spent the morning with Jefferson City Mayor John Landwehr (and his wife Peggy) helping him get a blog set up. By the time you read this, HighStreetBeat.com should get you there. If not, this link will.
Hizhonor envisions the blog as a place to share news about Jefferson City…with the world. People, places, events, etc. And he’s armed with a Flip Video camera and a YouTube account so look for lots of video. The site just went up today so it’s “under construction” as we used to say.
He has a page on the official Jeff City website, called “Mayor’s Monthly Memo.” But a month is a lifetime in Internet years and memos are waaay too last century. He’s looking for ideas and feedback so hit the comment links or the Gmail link on the left side of his page.
Yes, I know I misspelled tortoise. It’s called creative license, okay?
Clarence Lee Shirrell is one of those lucky people who seem to really love his work. He has a “lawn ornament farm” on Interstate 55 just north of Cape Girardeau, MO. I stopped by this week because I happened to notice Miss C, Clarence’s camel (“You can pet her. She won’t spit at you.”)
I can’t explain my fascination with concrete art (if I may use that word). I think it has more to do with the subjects chosen than the process. Which I assume involves pouring concrete into a mold. I think Clarence Lee said he buys the pieces already cast, so is there a big lawn ornament outfit somewhere and how do they decide what pieces will sell? And who came up with the 8 foot polar bear throwing a snowball?
I had a dozen questions for Clarence Lee but didn’t have time to ask them. For example, which is the better seller: the life-size (whatever that might be) demon or the Virgin Mary. And where would you put the demon?
How did he find Crista Meyer, the lady who paints some of his pieces. And do painted pieces sell better than unpainted? And what prompted the loin cloth on the buff young (Greek?) man. Did someone complain about his tiny concrete pecker and balls (yes, I peeked)?
Perhaps the most interesting thing I found at Concrete Castings was the cryptic message on the back of Clarence Lee’s business card: “Finished files are the result of years of scientific study combined with the experience of many years.”
I think that might be up there with “What’s the frequency, Kenneth?”
The Coffee Zone was packed. SRO. I chatted with Gaylin for a couple of minutes (I think she’s the instructor) and learned that some of the dancers were beginners and others were more experienced.
Jim Lipsey was one of Learfield’s first employees. He was part of the KLIK gang (Derry Brownfield and Bob Priddy) that helped Clyde Lear get the company up and running.
On Friday we got Clyde, Jim and Bob in a studio to talk about those early days and Jim’s contributions (there were many). Jim will be 87 his next birthday. I want to be him when I grow up. When I joined the company in 1984, Jim showed me the ropes of affiliate relations. It was a privilege to work with him. Here’s 10 minutes from a half-hour chat.