Virality

The terms “algorithmic engagement” and “organic search” pertain to how content is delivered and discovered online, each involving distinct mechanisms:

Algorithmic Engagement: This concept refers to the use of algorithms by platforms—such as social media networks, streaming services, and news aggregators—to curate and present content tailored to individual users. These algorithms analyze user behavior, preferences, and interactions to prioritize content that is likely to engage the user. For instance, Facebook’s News Feed and Twitter’s timeline utilize algorithms to display posts that align with a user’s interests, aiming to enhance engagement and time spent on the platform. This approach can lead to personalized experiences but may also result in echo chambers or filter bubbles, where users are predominantly exposed to content that reinforces their existing views.

Organic Search: In contrast, organic search involves users actively seeking information by entering queries into search engines like Google or Bing. The search engine then returns a list of results ranked based on relevance to the query, as determined by complex algorithms considering factors such as keyword usage, content quality, and website authority. These results are unpaid and are often referred to as “natural” or “organic” results. Websites can improve their visibility in these results through search engine optimization (SEO) practices, which aim to align content with the ranking criteria of search engines. Unlike algorithmic engagement, organic search is driven by user intent and provides a broader range of information sources, potentially offering a more diverse perspective.

In summary, while algorithmic engagement involves platforms proactively presenting content based on user behavior to maximize engagement, organic search is a user-initiated process where individuals seek out information, with search engines delivering results based on relevance to the query.

The term “viral,” in the context of content rapidly spreading online, began gaining traction in the late 1990s. By 1999, it was notably used in reference to marketing strategies that leveraged the internet’s capacity for swift information dissemination. This usage drew parallels to the rapid spread of biological viruses, highlighting how certain content could quickly propagate across digital platforms.

The phrase “went viral” became more prevalent in the early 2000s, coinciding with the rise of social media platforms and video-sharing sites like YouTube. These platforms facilitated the rapid sharing and widespread reach of content, leading to the common use of “viral” to describe popular online phenomena.

“Almost Cut My Hair”

(Wikipedia)Almost Cut My Hair” is a song by Crosby, Stills, Nash & Young, originally released on the band’s 1970 album Déjà Vu. It was recorded at Wally Heider Studios on January 9, 1970.

The song describes a real-life dilemma faced by many hippies: whether to cut one’s hair to a more practical length, or leave it long as a symbol of rebellion.[3] It was written by David Crosby, and features solo vocals by Crosby, with the rest of the band joining in on instruments rather than on vocal harmony, as in many of their other songs. […] It was one of only two songs from the album that Neil Young joined in on, despite not writing.

Although the notion of long hair as a “freak flag” appeared earlier, notably in a 1967 Jimi Hendrix song “If 6 Was 9”, Crosby’s song has been credited with popularizing the idea of long hair as a deliberate and visible symbol of the wearer’s affiliation with the counterculture, and opposition to establishment values. The song also evokes the singer’s “paranoia” at seeing the police; James Perone writes that, “more than any other song of the entire era”, it “captures the extent to which the divisiveness in American society … had boiled over into violence and terror”.

It became one of Crosby’s signature songs, and “probably his most important political song”.Crosby himself stated “It was the most juvenile set of lyrics I’ve ever written … but it has a certain emotional impact, there’s no question about that.”

Dancing and Singing at the Towne Grill

When I arrived at the Towne Grill at 1:30 p.m. they were cleaning up in preparation for closing at two o’clock. But the made me a grilled cheese sandwich (Best in Town) and since I was the only customer, they kept on closing up while somebody’s phone (?) was streaming music at volume.

Paul Simon’s You Can Call Me Al came up and I heard someone back by the grill singing along. Then the two servers who were sweeping up started singing along, putting a little boogie into the brooms. Next I heard the guy in the back washing dishes. And John (the owner) was right there with them.

It was like something from a Spike Lee musical (did he do musicals?). Everybody having a great time. I thought about grabbing some video but didn’t want to break the spell. You just had to be there. And I was.

Turns out there’s a pretty good story behind the official video.

The video became quite famous and features a comedic performance by Paul Simon and Chevy Chase. Here are some key details about the music video:

Initially, Paul Simon didn’t like the original music video for the song, which was simply a performance he gave during the monologue when he hosted Saturday Night Live[2]. A replacement video was then created, which became the widely known and popular version.

The replacement video was directed by Gary Weis and was partly conceived by Saturday Night Live creator Lorne Michaels[. This video features:

– Chevy Chase lip-syncing to Paul Simon’s vocals
– Paul Simon lip-syncing to the backing vocals
– Simon miming various instruments as they appear in the song

The video plays on the significant height difference between the 6’4″ (193 cm) Chevy Chase and the 5’3″ (160 cm) Paul Simon, creating a comical visual juxtaposition[2].

The music video for “You Can Call Me Al” became one of Paul Simon’s most recognizable and popular videos. It helped boost the song’s popularity, contributing to its commercial success. The song, initially released in July 1986, experienced a resurgence in sales and airplay after the album Graceland won Album of the Year at the 29th Annual Grammy Awards in February 1987[2].