Mainland Ukes

Hopped in the MINI and took a little road trip to Nashville, IN on Thursday. The 368 miles took about seven hours. Nashville — a quaint little village in the hills of south-central Indiana– is the home of Mainland Ukes, owned and operated by Mike Hater and his charming wife Tootka. Tootka is the brains and Mike is “Artistic Director.”

tootka-mike

Purpose of the trip was to swap my new soprano uke for a slightly larger “concert” model.

Mike and Tootka’s story is interesting. After years as a psychiatric nurse, Mike quit and moved back to Indiana where he worked in landscaping before throwing in with a guy who sold harmonicas. When that business tanked, Mike and Tootka took over and switched to ukes. Mike played and knew lots of folks in uke space, so…

Somewhere in this adventure Mike got snowed in for five days and used the time to meet (online) some people in Thailand (where he lived as a younger man). Mike and Tootka connected, corresponded for a while, and then he jumped on a plane to go meet the lady. After that it was love, marriage, and back to the US and Mainland Ukes.

ukes600

They have a big uke festival in June and I’m thinking I might try to make it. Nice people, good ukuleles.

I have a tiny instrument

Screen Shot 2013-03-07 at Thu, Mar 7, 8.36.38 AMBack in the 70’s I took guitar lessons for a few months. In answer to the question, “You think I’ll ever learn to play?” my teacher (Hoyt Wooten) answered: “Depends on how long you live.”

While I won’t live long enough to learn to play the guitar, I might live long enough to learn a few chords on my new ukelele. I’ve got lots of support I didn’t have 30 years ago. Half the members of The Order of the Fez play the uke, including Professor Peter and Howlin’ Hobbit, who advised on this latest purchase.

YouTube is awash in instructional videos and the technology is much better. I’ve got a tin ear so keeping that guitar in tune was a bitch. I had a little pitch pipe that was all but worthless. This time around I have a little eletronic doo dad that clamps on to the uke and uses vibration to tell you if the string is sharp or flat.

I’m approaching this in the manner of Bill Murray learning to play the piano in Ground Hog Day. I have a long time in which to learn to play a few chords. Once I get a few thousand hours under my belt, I’ll share something here.

Name the Beatles (Carl Hiaasen – Skin Tight)

One of my favorite bits of dialogue in Carl Hiaasen’s Skin Tight:

“But I don’t want to many you,” she said. “I promise. Even if you ask me afterwards, I’ll say no—no matter how great it was. Besides, I’m not a waitress. You said all the others were waitresses.”
He groaned and said, “Tina, I’m sorry. It just won’t work.”
“How do you know it won’t work?” she said to Stranahan
“I’m too old.”
“Bullshit.”
“And you’re too young.”
”Double bullshit.”
“Okay,” he said. “Then name the Beatles.”
“What?” Tina forced a caustic laugh. “Are you serious?”
“Dead serious” Stranahan said, addressing her from the edge of the roof. “If you can name all the Beatles, I’ll make love to you right now. ”
“I don’t believe this,” Tina said. “The fucking Beatles.”
Stranahan had done the math in his head: She was nineteen, which meant she had been born the same year the band broke up.
‘Well, there’s Paul,” Tina said.
“Last name? Come on! Let’s hear it.”
“McCartney, okay? I don’t believe this.”
Stranahan said, “Go on, you’re doing fine.”
“Ringo,” Tina said. “Ringo Starr. The drummer with the nose.”
“Good.”
“And then there’s the guy who died. Lennon.”
“First name?”
“I know his son is Julian.”
“His son doesn’t count.”
Tina said, “Yeah, well, you’re an asshole. It’s John. John Lennon.”
Stranahan nodded appreciatively. “Three down, one to go. You’re doing great.”
Tina folded her arms and tried to think of the last Beatle. Her lips were pursed in a most appealing way, but Stranahan stayed on the roof. “I’ll give you a hint,” he said to Tina. “Lead guitar.”
She looked up at him, triumph shining in her gray eyes. “Harrison,” she declared. ”Keith Harrison!

This week’s Top 10

1. Bird On a Wire – Jennifer Warnes
2. Table for One – Liz Phair
3. Put Your Lights On – Santana
4. Stay – Jackson Browne
5. Your Drinking – Gretchen Phillips
6. After the Gold Rush – k.d. lang
7. Gone At last (Orig demo version) – Paul Simon
8. Piece of My Heart (Live) – Phoebe Snow
9. Creep (Live in Boston) – Brandi Carlile
10. A Thousand Kisses Deep – Leonard Cohen

No particular order.

Garageband on the iPad

I fiddled around with Garageband when I got my first MacBook but couldn’t really figure out much to do with it. Figured it was just for musicians. Today I tried out the new iPad app and discovered a completely different experience.

First, there’s something about using your fingers that just seemed so much more intuitive than a cursor. And they’ve made the iPad app for people like me who can’t read a note of music or carry a tune.

I’ve only started playing with Garageband so won’t attempt a review, they must be all over YouTube and the Apple website. But here’s my first effort.

AUDIO: Bust-A-Bean (The Coffee Zone Song)

The music of the 2050’s

My earliest memories of music are from the 50’s. If I described a song as having “a 50’s sound,” you’d probably understand what I meant.

I divide the next decade into Early 60s and Late 60s. The 70’s connote Disco for me. For some reason I don’t have any recollection of the music of the 80’s and 90’s.

So here’s my question for your musicologists out there:

How is that each musical era can sound not only different from the previous era, but from ALL previous eras? Will we have a period that repeats some earlier period?

If not, does this mean that it will get more and more difficult to create a completely fresh sound? How different will music sound to these disturbingly large ears in 30 years?

Hallelujah Chorus – Kennett,MO

Announced this event on Dec. 19th in church, put on facebook and a little article in paper. This is the result. No rehearsal. Accompaniment being played in mustang convertible with the top down. (Which turned out not to be loud enough for all to hear, thus we almost had a train wreck in the middle) But it turned out to be such fun. We are making this an annual event on December 23rd, 5:30 pm on court house steps. We will be better prepared next year. Louder sound system for accomp., lights and more music. (see the famous Crows on front row, 3 sharing the same book).