Category Archives: Documentary

STALINGRAD The Fateful Siege: 1942-1943

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I’ve only read a handful of history books (crime fiction is my passion) but they’ve all be great reads. A Distant Mirror: The Calamitous 14th Century; Battle Cry of Freedom: The Civ89l War Era; Nothing Like It In the World: The Men Who Built the Transcontinental Railroad 1863-1869; and Wires West: The Story of the Talking Wires. I’m currently reading STALINGRAD The Fateful Siege: 1942-1943 by Antony Beevor.

(Wikipedia) “Stalingrad is a narrative history written by Antony Beevor of the battle fought in and around the city of Stalingrad during World War II, as well as the events leading up to it. The book starts with Operation Barbarossa, the German invasion of the Soviet Union in June 1941 and the subsequent drive into the Soviet Union. Its main focus is the Battle of Stalingrad, in particular the period from the initial German attack to Operation Uranus and the Soviet victory.” Continue reading →

The Beatles: Get Back

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“What’s startling about “Get Back” is that as you watch it, drinking in the moment-to-moment reality of what it was like for the Beatles as they toiled away on their second-to-last studio album, the film’s accumulation of quirks and delights and boredom and exhilaration becomes more than fascinating; it becomes addictive. We’re there in the studio, right alongside the Beatles, seeing — living — what they do. There are moments when “Get Back” meanders (at a certain point in Part 3, you may feel like you never want to hear “Don’t Let Me Down” or “Let It Be” again). Yet even the repetition is part of the documentary’s experiential quality. As you soak up the film in its totality, it become moving and momentous. “Get Back” is a long-form portrait of the dissolution of the Beatles and the togetherness of the Beatles.” — Variety review of Peter Jackson’s 8 hour documentary.

If you weren’t a fan I doubt you’d enjoy this. The Beatles exploded in 1962 and flamed out in the late sixties, neatly covering my high school and college years. A big musical influence in my golden years. (Good article on which US radio stations played The Beatles first)

Muscle Shoals Sound Studios

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Barb and her sister are in Destin, FL this week and on the way down they stopped in Muscle Shoals, AL for a class reunion. Including a tour of the studio where the Rolling Stones recorded Wild Horses (and Brown Sugar) in December of 1969. The tour included the toilet where Keith Richards reportedly wrote Wild Horses, and an invoice for the recording sessions.


The Beatles: Get Back

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Peter Jackson has released a “sneak peek” at his COVID-delayed documentary, The Beatles: Get Back. He stresses this is not a trailer or a sequence, rather a “montage” to give you a feel for “the spirit” of the film. Can’t imagine where or how he come up with 56 hours of “never before seen” footage of the band.

The Beatles hit the U.S. airwaves in February of 1964 (“I Want to Hold Your Hand”). I was a sophomore in high school and I won’t even try to tell you want a big deal this was. Nothing even close in the 50+ years since.

The Beatles broke up in 1969 so they provided the soundtrack for my high school and college years. I am really looking forward to this documentary. PS: It sure looks like they were having fun.

Laurel Canyon

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I really liked this documentary. Late 60’s, early 70’s was my era, but it was just a very well done film. I learned a lot about the music and the musicians from that time and that place. I was playing a lot of this music on the radio in the early 70’s but had no real appreciation for the artists or the place the music was coming from.

Workers on Chrysler Building (1929-1930)

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“New York’s Chrysler Building, one of the city’s most iconic skyscrapers, was built in a remarkably short time–foundation work began in November 1928, and the building officially opened in May 1930. Even more remarkably, the steelwork went up in just six months in the summer of 1929 at an average rate of four floors a week.
Fox Movietone’s sound cameras visited the construction site several times in 1929 and 1930, staging a number of shots to maximize viewers’ sense of the spectacular heights.”