Category Archives: Media & Entertainment

4-Track Tape Players (Predecessor to 8-Track)

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Before the 8-track tape, there was a 4-track cartridge system, commonly known as the Muntz Stereo-Pak or simply the 4-track tape system. It was developed in the early 1960s by Earl “Madman” Muntz, an entrepreneur known for his work in consumer electronics and cars.Key Facts About the 4-Track System:

  • Introduced: Early 1960s
  • Cartridge Design: Used a continuous loop of 1/4-inch tape inside a plastic shell, similar to the later 8-track format.
  • Audio Quality: Offered stereo sound and was considered to have slightly better fidelity than 8-tracks due to fewer tracks being crammed onto the tape.
  • Adoption: Mainly popular in automobiles, often installed in custom and high-end cars of the era.
  • Main Drawback: Required a pinch roller built into the player (instead of inside the cartridge like 8-tracks), making it less convenient.
  • Replaced By: The 8-track format, developed by Bill Lear (of Lear Jet fame) in 1964, became more commercially successful due to support from major automakers and tape manufacturers.

Though 4-track players had a brief run, the format laid the groundwork for the success of the 8-track, which dominated car audio until cassette tapes took over in the late 1970s. (GPT 4o)

Suno AI

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“Suno AI is a generative artificial intelligence music creation program that allows users to generate realistic songs combining vocals and instrumentation based on text prompts. Suno has been widely available since December 20, 2023, after launching a web application and partnering with Microsoft to include Suno as a plugin in Microsoft Copilot.” (Wikipedia)

I had not heard of Suno until I received the following text from my friend David.

La Tiara, our favorite brand of taco shells, has been discontinued. I asked Claude for lyrics to a mariachi ballad in tribute, and fed them to Suno and got this.I asked for a mariachi style ballad. Was not expecting Spanish.

David and I worked together at Learfield Communications during the early days of the Internet. I was boring everyone to tears with my predictions about what a Big Deal it was going to be. Huge! Transformative! Bigger than radio! David shared my enthusiasm. To illustrate Suno’s magic…

I prompted for a song about a guy named Steve who’s trying to convince his company the internet is the next big thing, but they don’t believe him because all they know is radio.” It came up with the bizarrely accurate details on its own. [lyrics]

Murderbot TV series coming May 16

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Martha Wells’ award-winning sci-fi book series will soon be a streaming series, co-created by Chris and Paul Weitz and starring Alexander Skarsgård. Murderbot is described in an Apple TV+ press release as a “comedic thriller,” which matches up with the books; Skarsgård plays the title character, “a self-hacking security construct who is horrified by human emotion yet drawn to its vulnerable clients … Murderbot must hide its free will and complete a dangerous assignment when all it really wants is to be left alone to watch futuristic soap operas and figure out its place in the universe.”

This is pretty much how I pictured Murderbot.

Martha Wells’ Murderbot Diaries is a science fiction series centered around a self-aware security android that has hacked its own governor module, allowing it to act independently. Rather than fulfilling its assigned duties, it prefers to binge-watch entertainment feeds and avoid human interaction. However, when its human clients face danger, Murderbot reluctantly steps in, often grappling with its own identity, autonomy, and the moral implications of its actions.

The series begins with All Systems Red (2017), where Murderbot protects a group of scientists from corporate sabotage. As the series progresses, it embarks on a journey of self-discovery, questioning what it means to be free while uncovering deep corporate conspiracies. The series blends action, humor, and existential reflection, making it a unique and engaging read. Murderbot’s dry wit and awkwardness make it a relatable and beloved protagonist in modern sci-fi. (ChatGPT)

“Almost Cut My Hair”

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(Wikipedia) “Almost Cut My Hair” is a song by Crosby, Stills, Nash & Young, originally released on the band’s 1970 album Déjà Vu. It was recorded at Wally Heider Studios on January 9, 1970.

The song describes a real-life dilemma faced by many hippies: whether to cut one’s hair to a more practical length, or leave it long as a symbol of rebellion.[3] It was written by David Crosby, and features solo vocals by Crosby, with the rest of the band joining in on instruments rather than on vocal harmony, as in many of their other songs. […] It was one of only two songs from the album that Neil Young joined in on, despite not writing.

Although the notion of long hair as a “freak flag” appeared earlier, notably in a 1967 Jimi Hendrix song “If 6 Was 9”, Crosby’s song has been credited with popularizing the idea of long hair as a deliberate and visible symbol of the wearer’s affiliation with the counterculture, and opposition to establishment values. The song also evokes the singer’s “paranoia” at seeing the police; James Perone writes that, “more than any other song of the entire era”, it “captures the extent to which the divisiveness in American society … had boiled over into violence and terror”.

It became one of Crosby’s signature songs, and “probably his most important political song”.Crosby himself stated “It was the most juvenile set of lyrics I’ve ever written … but it has a certain emotional impact, there’s no question about that.”

Dancing and Singing at the Towne Grill

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When I arrived at the Towne Grill at 1:30 p.m. they were cleaning up in preparation for closing at two o’clock. But the made me a grilled cheese sandwich (Best in Town) and since I was the only customer, they kept on closing up while somebody’s phone (?) was streaming music at volume.

Paul Simon’s You Can Call Me Al came up and I heard someone back by the grill singing along. Then the two servers who were sweeping up started singing along, putting a little boogie into the brooms. Next I heard the guy in the back washing dishes. And John (the owner) was right there with them.

It was like something from a Spike Lee musical (did he do musicals?). Everybody having a great time. I thought about grabbing some video but didn’t want to break the spell. You just had to be there. And I was.

Turns out there’s a pretty good story behind the official video.

The video became quite famous and features a comedic performance by Paul Simon and Chevy Chase. Here are some key details about the music video:

Initially, Paul Simon didn’t like the original music video for the song, which was simply a performance he gave during the monologue when he hosted Saturday Night Live[2]. A replacement video was then created, which became the widely known and popular version.

The replacement video was directed by Gary Weis and was partly conceived by Saturday Night Live creator Lorne Michaels[. This video features:

– Chevy Chase lip-syncing to Paul Simon’s vocals
– Paul Simon lip-syncing to the backing vocals
– Simon miming various instruments as they appear in the song

The video plays on the significant height difference between the 6’4″ (193 cm) Chevy Chase and the 5’3″ (160 cm) Paul Simon, creating a comical visual juxtaposition[2].

The music video for “You Can Call Me Al” became one of Paul Simon’s most recognizable and popular videos. It helped boost the song’s popularity, contributing to its commercial success. The song, initially released in July 1986, experienced a resurgence in sales and airplay after the album Graceland won Album of the Year at the 29th Annual Grammy Awards in February 1987[2].

 

 

AI podcast about Prairie Garden Trust

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My friend Henry shared this 4 minute podcast about the Prairie Garden Trust. Don’t know the particulars but it was created by an AI tool called NotebookLM.

Not sure what prompts were used to create this but it is uncanny (strange or mysterious, especially in an unsettling way). Does it matter –will anybody care– that this is a bot talking about the PGT? Less and less, I suspect, as time passes. It was almost 20 years ago that Henry and I produced a podcast called Living Healthy. I choose to believe a listener would be able to tell the difference. For the time being.

“It’s time to be a man and vote for a woman”

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Sam Elliot has one of those instantly recognizable voices. Up there with Morgan Freeman, james Earl Jones, Charlton Heston, just to name a few. (Good list of 20)

“Are we really going down that same broken fucking road?”

I love that they let him say “fucking.” Everybody says fuck. It’s a perfectly good word and, sometimes, the only word that fits.