Andrew Sullivan on blogging

“The one wonderful thing about blogging from your laptop is that you don’t have to deal with other people. You can broadcast alienated, disembodied, disassociated murmurings into a people-free void. You don’t have to run something past an editor, or frame your argument to an established group of subscribers. You just say what the hell you want.”

— Andrew Sullivan in Slate

Gnomedex: Conference blogging

I’ve been attending conventions, conferences and meetings of one sort or another for twenty-five years but this one is different. This one is wired. More to the point, it’s unwired. Many (most?) of the attendees have their notebook computers fired up and connected to the Internet via a wireless network. So, while the speakers were making their presentations, many of the people in the audience were “reporting” what was being said by posting (text and photos) to their personal blogs. Now, I don’t know if this is journalism or not. But I’m not sure it matters. Something is going on here. Steve Gibson is talking about Internet security and seconds later some guy in the audience hits the enter key and people all over the world can read about it (with photos). No networks. No editors. No filtering. How do we know that what we’re reading is accurate or fair? Well, there were probably a dozen people blogging today’s presentations. Pretty unlikely they’d all have the same ax to grind. Like I said… feels like something is happening here. [killed dead links in this post]

This American Life

For months my wife has been talking about a radio program called This American Life (produced by WBEZ in Chicago). I finally heard the show last week and must say it was pretty damned good. It was about a group of inmates at a high-security prison outside St. Louis that has been performing Shakespeare’s Hamlet for fellow inmates and outside visitors. Due to prison logistics they can’t stage the whole four-hour play at once, so they’ve been performing it serially, one act every six months. In the show I heard, they follow the cast for half a year, as they rehearse and stage the last and bloodiest act: Act V. This is good radio and worth a contribution.