Wes Fewell’s Club Juana

Some guys will put a big screen TV and a couple of BarcaLoungers in their basement mancave and call it a day. Not Wes Fewell. Wes is an athlete and a hunter. And an artist. He designs beautiful furniture and his skills are on full display in his basement.

He didn’t offer much history of the original Club Juana so I went looking online and found this from 2006 (source unknown)

The Club Juana was a landmark in Casselberry, Florida, for 43 years, first as a nightclub, later as a strip club. It attained national notoriety in 2002, when its owners staged regular productions of “Macbeth in the Buff” to circumvent local lewdness laws. The Club finally closed in June 2006 and was demolished on November 2 to make way for a freeway overpass. Its famous “Club Juana: Parking In Rear” neon sign, however, was spared by the Morse Museum of American Art in nearby Winter Park. The Museum, best known for its Tiffany collection, saw the sign as a worthy example of public art and local history. The Club Juana sign will join other neon signs from vanished Orlando-area businesses in the Museum’s collection. All of them are warehoused, and none are on public display.

My most embarrassing photo

There must be plenty of them but nothing comes to mind. The question popped into my head after seeing photos of J. D. Vance in a blond wig and floral print skirt. A halloween photo from his college days. And former U. S. Congressman George Santos wasn’t camera-shy during his drag queen days.

Our annual Halloween parties were the social event of the year and I showed up dressed as a woman at least two of those parties. Once as a nurse, the other time as a nun.

The nun photo is memorable because Barb and both came as nuns (from different orders it would appear). Neither of us aware of the other’s costume.

Once I saw just how good a man could look in a dress and wig, I gave up on that costume idea.

While searching for my most embarrassing photo, it occurred to me that it wouldn’t be in my collection. It would almost certainly be a photo someone else took and that I didn’t know existed. If you have such a photo, I’d very much like to see it. (My embarrassment bar is pretty hight these days.)

In my youth, people didn’t walk around with a camera in their hand (or pocket). And if it was nighttime you’d need a flash. And then the wait for the film to be developed and on and on. It was just too much trouble. So there just weren’t as many photos. And if you had a good one, sharing it meant a trip to the post office. And what is an “embarrassing photo” in an age when teenagers text each other pictures that can only be described a pornographic?

The photos of Vance are only a problem (if it is a problem) because of his homophobic anti-trans comments on the campaign trail. And I’m not sure George Santos minded at all.

I’ll keep looking for my most embarrassing photo and update this post if I come up with something.

Sad T-Shirts

Came across this photo while cleaning out my office closet. First thought was, “Those are the saddest promotional T-shirts I’ve ever seen.” (I had almost no budget). My second thought was, “Looks like a scene from a remake of Napoleon Dynamite.”

John Robison

My friend John has also reached the age where a little digital enhancement is called for, so I fired up the Prisma app again.

Edited in Prisma app with Thota Vaikuntam

Edited in Prisma app with Dallas

Edited in Prisma app with Daryl Feril

Edited in Prisma app with Mosaic

Tell me a story

I uploaded this photo (of my mother and her brother) to ChatGPT and prompted it to create a fictional narrative.

ChatGPT: In a small town that thrived on the heartbeat of its people, there lived a young couple that seemed to encapsulate the spirit of the era. The year was 1942, and the air was thick with the uncertainty of wartime. Yet in this photograph, Evelyn and James—lovingly known as Dubb—stood side by side, a picture of resilience and hope.

Evelyn, with her hair curled just so, wore a plaid skirt that swayed with the slightest breeze—a popular style of the time that echoed the strength and simplicity of the home front. Her smile was small but genuine, a reflection of the pride she felt standing next to James, her high school sweetheart who had enlisted in the army.

James, in his crisp service uniform, had the posture of a man who understood the weight of the world he was about to enter. His hat was perched perfectly on his head, and his eyes held a seriousness that belied his youth. Yet, when he looked at Evelyn, there was a softness there. It was the look of a man who found a reason to fight, a reason to return home.

The white siding of the house behind them was a common backdrop in those days, representing the homes and families that dotted the American landscape, each with their own stories of love, sacrifice, and courage.

As the sun cast long shadows on the ground, the couple held onto each other. They didn’t speak much about the war or the future. Instead, they spoke of small things—Evelyn’s new recipe for apple pie, the creaky step on the porch that James promised to fix when he got back, the way the stars seemed to shine brighter these days.

This photo, taken by a traveling photographer who knew the importance of capturing moments just like this, would sit on Evelyn’s mantle for years to come, a testament to a promise made under the watchful eye of a world at war: to wait, to hope, to endure. It was a snapshot of a chapter in their story that would inspire tales of a time when love was a beacon in the storm, guiding soldiers home and giving strength to those who waited with bated breath for their safe return.