KLOCKWERKS

“The beautiful steampunk mantel clocks and unique timepieces from KLOCKWERKS are all created by self-taught artist Roger Wood of Hamilton, Ontario. His clock-making process starts with perusing items at yard sales and flea markets to find great components to craft these beautiful and unique timepieces. Wood then uses other people’s discarded and unwanted items to find things that speak to him, things with a history. These items can be pretty much anything, from wheels and gears to musical instruments and feathers. Wood has assembled a massive collection of items, most of which is barely contained by the numerous drawers in his Hamilton, Ontario workshop.”

When you have 10,000 photos it’s hard to care much about any one of them

We “took” photos differently when our cameras had a roll of film that could take 24 shots. And it would be days — later just 24 hours — before we got our prints back. That’s when we learned if we got the light right and everybody was ‘in’ the photograph. We didn’t snap photos back then. We positioned everyone. Said dumb shit to try to get them to smile. We worked at making the photograph. A little bit.

Today we one-hand the phone and fire off a burst of half dozen images and if they’re not very good they’ll scroll into oblivion in a few hours. We have no investment in such images. We have so many they’re like a wheelbarrow full of Reichsmarks in 1949. Or a pair of Imelda Marcos’ shoes.

What is the essence of a photograph?

The image would seem to be the obvious answer but I wonder if sharing isn’t an equally important component. Yes, you can take a photo and enjoy it without ever showing it to someone but that rarely happens. When photos were expensive and rare, we hung them on walls for all to see. As we accumulated more, we sat next to each other with an album in our lap, slowly turning pages. Or on the floor with a shoe box filled with “pictures.” I never cared much for carousels filled with 35mm slides. Trapped in a dark room, clicking through hundreds of photos of Old Faithful.

But now photos are cheap and easy. Like that girl in high school. We take thousands and dump them in the sky or cram them onto our phones drop them into a Facebook stream where they live for a few seconds then die. Marie Kondo asks, “Does this photo spark joy in your heart?” If not, give it away. I’ve done that with a life-time of prints. Feels good, like giving a dog you can’t care for to someone who lives on a farm.

There’s no way to share 10,000 photos.

Cigar Boxes

I love cigar boxes. Don’t smoke, just have a little thing for those boxes and a friends saves his for me. Here’s a container that is, ultimately, disposable but is very well made. Is this because it can take a while to smoke a box of cigars and the container has to protect them? (Don’t most cigar smokers put them in a humidor?)

Those little Altoids tins have a bit of this. I hate throwing those tins away because it seems they should be good for something.

Keys

This jar of keys is a family heirloom, handed down from grandfather to father to son. Most of the keys, as I understand the story, were to apartment doors and mailboxes. The family owned apartment buildings and when a tenant got locked out the landlord would come with this jar of keys and and try them, one at a time, until he found the right key. At some point family members tried to bring a little order to this chaos by numbering the keys but the system never caught on. Somewhere — in a door or a landfill — there are locks for each of these keys.