“Tarantino’s love of movies is infectious. But what he loves about them isn’t their literary capabilities, the way they can show us people and events changing each other, and the rest of that important yada. No, QT loves their syntax, their rhetoric. And that’s what Kill Bill is great at: a samurai sword being re-holstered, a nod that launches an attack. It’s like a “That’s Entertainment” that shows not the greatest tap dance sequences in the history of movies but the greatest gestures.”